That Drifting Poo Was Way Too Meaningful! These Are the TV Disappointments of the Past Year.
As we reflect on the TV offerings of the past year, a handful of shows emerge not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly poor docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive follow-up? Burdened with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the third series began, it looked like it had at last found its groove. Then arrived an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It ended on a bum note; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Still, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was almost the smallest of this show's problems. The subject of a exceedingly uncommon zero star review, it was difficult to know where to begin enumerating the problems. The laughably wooden writing? The tedious veneration of wealth and materialism? The seemingly wilful parade of tropes? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. Except, a new season has been ordered, so we’re likely going to have to.
The Charlie Sheen Documentary
Given the legal troubles, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charming but flippant narcissist.
The Supercomputer Drama
Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.
MobLand
Shady figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is harsh on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney picaresques which seemed a bit basic.
With Love, Meghan
Considering the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into quaint lifestyle as intentional provocations. But then you watch them and are compelled to admit that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with career, identity, self-acceptance. But for whatever reason, this documentary series chose not to say them. Instead, the experience was akin to reading a marketing catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was straining desperately to emulate something far greater than it.
Too Much
How does one follow a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘uneven’.
Given the shrewd recruitment of talented younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.
Prime Target
We love the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator renowned for sexual exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.